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Inland Art | Jan Brandt

In Uncategorized on August 1, 2021 at 2:18 am

By Nicole Gronvold Roller

Inland Art is a regular featured column in The Community Word newspaper. This article was first published on June 29, 2021. Used by Contemporary Art Center of Peoria with permission.

I met Jan Brandt many years ago when her gallery and studio space was located at the historic Coca-Cola Bottling Plant on Bell Street in Bloomington. I was seeking a new gallery to visit beyond my typical stops in Peoria and an artist friend recommended the Jan Brandt Gallery. My first encounter with the artist was at her gallery during a packed artist reception. Even though there was an impressive crowd, it was not difficult to find the host of the event; one only needed to follow the infectious laughter and energetic hub within the room.

During my visit, Brandt graciously gave me a tour of the gallery and its studio spaces, along with sharing her artwork and process. I know my unique encounter with Brandt’s hospitality is not an isolated event. Her consideration and ability to connect with creative individuals is evident in her impressive record hosting over 900 artists presenting both solo and group exhibitions since 2012. In 2017, the artist moved her gallery to Morrissey Drive in Bloomington where she founded the Guest Room.

The Guest Room offered a platform for artists to explore new concepts while curating their artwork with Brandt’s assistance and invitation. Always open to new possibilities, Brandt recently relocated her studio to Normandy Village in Normal, all while prepping for a solo exhibition, “Hothouse,” at the Contemporary Art Center in Peoria. Not wanting to entirely give up her role as a gallery director and owner, she is currently hosting an online venue, “Exposure,” as a means to support artists by featuring their artwork.


“Hothouse #11 and Hothouse #12,” by Jan Brandt, acrylic and chalk paint on cradled wood panel, 48 inches x 36 inches (Diptych 24 inches x 36 inches each panel), 2021

The works by Jan Brandt featured in the Preston Jackson Gallery is an admirable collection of new paintings and fiber art created by the artist within the past four months. The dedication and relentless studio practice are apparent in Brandt’s ability to fulfill a rigorous 14-hours-a-day schedule devoted entirely to artmaking.

During a recent home studio visit, I was entertained by paintings spilling over into the living room and fiber works exploding from Brandt’s art studio into the guest bedroom. Brandt’s intention to create an immersion experience while viewing “Hothouse” has pushed the artist into abundance and prolific artmaking.

Brandt’s latest painting series is a confection of vivid colors and densely arranged organic patterning influenced by ornate Jacobean tapestry, 18th-century botanical drawings, and Swedish floral designs. The palpable quality of the “Hothouse” paintings are informed by the multimedia artist’s longstanding practice with fibers. Anchored in a narrative based on childhood observations of the family farm, her sensitivity towards natural surroundings is augmented by visiting greenhouses, arboretums, and botanical gardens. Enveloping our senses, “Hothouse” is a visual translation of lush colors, fevered temperature, curious sounds, and sensual fragrances often produced by a greenhouse experience. Per the artist’s design, one initially perceives the exhibition from a holistic point of reference then honing in on specific details and visually dissecting individual sections of Brandt’s bountiful and cleverly indulgent composition.

“Hothouse” is open to the public from June 25 until Aug. 13 with an artist reception 6:30 to 8:30 p.m. July 17 featuring music by Vandana Duo.

Jan Brandt’s artwork may be found at www.janbrandtgallery.com

The Contemporary Art Center can be accessed at www.peoriacac.org

More Community Word articles can be found at The Community Word – monthly newspaper based in Peoria, IL

20 Minutes with Kiley Moore of Wild Earp and the Free For Alls

In 20 Minutes With on March 17, 2018 at 8:23 pm

NOW: With a big Howdy from Peoria, Illinois, I am so glad to begin this interview with Kiley Moore, a member of Wild Earp and the Free For Alls. They are scheduled to perform at the Contemporary Art Center on Friday, March 30, 5:30-7:30. As this is a band that is new to our weekly Friday music event called Live at the Five Spot, I thought I would interview one of the members. Since Kiley Moore is originally from Peoria, I chose her. For those of you who don’t know about the band, Wild Earp and The Free for Alls play a particular brand of country that is equally nostalgic and innovative. The overall sound is primarily 60’s and 70’s country western, reminiscent of Johnny Cash, Gram Parsons, and duets from the likes of Loretta Lynn and Conway Twitty. They incorporate the sounds of the past with other elements of Americana, such as rockabilly, folk, and classic rock and roll. The music has lyrical depth, while staying familiar, danceable and very fun. Check out their excellent website http://www.wildearp.com to hear recordings, watch videos and lots more!

Kiley, Thanks for agreeing to be interviewed via email. We want to know all about you and the band. Feel free to elaborate, go down a rabbit hole, tell embarrassing stories about the others, etc. We want all the juicy details. As I mentioned before, you are the only member hailing from Peoria. Were you born and raised here? What was your Peoria experience like? When did you leave and what happened then? When did you begin singing?

KILEY: That’s right- I was born at Methodist Hospital and grew up near Bartonville. My Peoria experience was pretty traditional. I grew up with two sisters and a golden retriever in a quiet subdivision with two very hardworking parents. We were very active at our church and stayed busy with piano lessons, choir and plenty of other extra-curriculars over the years. I couldn’t wait to leave when I was 19, which is when I left for college in Chicago, and now I go back every chance I get.

NOW: Can you share a little history about the band? How long has the band existed and when did you join the band?

KILEY: Thanks for asking, I’m super excited to tell you about this band! It’s my creative lifeblood and the other members are like family, so I’ve got a lot to say. A long, long time ago, in another life, a few of us were in an art rock band together called New World Ancients. We played far out music with ol’ Wild Earp before he was Earp, and he might have rocked a loin cloth once or twice. We had fun and let that band run its course. We said our goodbyes in 2014 or so. Shortly after, Andrew (Wild Earp) called me up and said he had some country songs that he wanted to try out. He’s the type of songwriter that seems to have an endless supply of new songs constantly brewing, spanning so many genres, and he wants to share them with people. For that, we can all be thankful.

NOW: Wow! That is a big leap from Art Rock to old Country and Western. But you weren’t surprised because you were already familiar with Andrew’s songwriting range. Were you the only one retained from the former group? Was it difficult for you to so abruptly switch gears?

KILEY: Myself (Sweet Sassy Molassy) and our drummer, Alan (Alan-bama), both joined Wild Earp right away. We gathered together some of our friends who happened to be incredibly talented musicians and put together the first iteration of Wild Earp and The Free For Alls, which I believe at the time we were trying out names like “Wild Earp and the Wilderness” and “Wild Earp and the Hoofbeats”. It took us a while to land on “Free For Alls”, but it was a good choice and the band has really grown into that moniker. Although it was very different than what we were doing in our last project, we all knew pretty quickly that we had something special here. As I’ve told Earp, my role as Sweet Sassy Molassy feels so right and comfortable for me it’s like sittin’ in my bathrobe drinking a glass of bourbon. Right where I want to be. We all dove in head first and haven’t looked back. Now we’re in our third year of a residency in Chicago- we play once a month at The California Clipper, which is a nostalgic cocktail lounge draped in red. The residency has really kept us sharp and allowed us to meld as a band and refine our sound.

NOW: Glad to hear that the Wild part of the performance was retained. What is it like touring with the band? Is The California Clipper your favorite place to perform?

KILEY: Touring with this band has been an adventure. We’ve been to Canada, New York, Colorado and Kansas to name a few, and we’re headed southeast next- making our pilgrimage to Nashville. Touring is hard and traveling with a new group of people is a crapshoot. Luckily, we work well together! I walk away from every tour wanting to work harder for this band and loving each of these people even more. This is a band of genuinely good people wanting to do good work, and I’m so proud to be a part of it.

NOW: You are very fortunate to enjoy being with everyone.

KILEY: Here’s a fun fact: You have some very late nights on the road, and sometimes early mornings (ouch). When all of us are crawling out of bed and begging for coffee, miraculously Gorgeous George, our dashing banjo/mandolin/guitar player, pops out of bed or off the floor or out from under a table (wherever he’s sleeping that night) with his hair PERFECTLY coiffed. I don’t know how he does it, maybe he gets up before all of us to run a comb through it and then gets back in bed. Who knows? But it is a sight to see!

NOW: Ugh! I hate people like that. Does the band always dress up in traditional country western attire?

KILEY: Naw, George is a lovely human. Couldn’t hate that guy if I tried. We always wear country western gear to varying extents. We’ll ramp it up or tone it down when appropriate. You should see how these boys travel! There are garment bags, boot bags, and hat boxes everywhere! We also like to outdo each other with our bolo ties and belt buckles. Here’s a photo of me and the guys in Dodge City, Kansas.

NOW: That is a fine lookin’ bunch. I admire the attention to detail and showmanship displayed in wearing traditional country western attire for your performances. And it probably is a lot of fun also.

KILEY: It really is. It’s hard not to feel good when you’re looking so sharp with your friends. We all really enjoy going above and beyond with our aesthetic. We get very excited when someone finds a great new shirt or boots. Even better if you found ‘em half price! I like to remind myself that our audience deserves 110%. If you’re having an off-night and you can’t dazzle them with your performance, ramp up your style (or sass). Shoot for that every time and you should land somewhere pretty decent.

NOW: I imagine that a member of such a group would have to possess a serious funny bone. Just how big of a funny bone do you have? Who in the group wins the prize for being the silliest?

KILEY: That’s a good question! Our lead guitarist, Jed (aka Valentine), is quick with the quips. He keeps me on my toes and keeps that fun stage energy going. And our keyboardist, Sean (aka Pony Boy), can keep any situation easy-going and lighthearted. If you need proof of how much fun we’re having, check out our Outtakes episode of our YouTube series called Hair of the Dog. (Here’s a link: https://youtu.be/BbtfQGpwIjY)

NOW: What is your main function during a performance?
KILEY: During a performance my main function is to sing. It’s my favorite thing to do, so it’s working out well for me. I’m also there to throw sass and keep the band in line. Don’t let ‘em fool you, they love it.

NOW: Most males are like big dogs that never really grow up; sometimes females have to show them who’s boss. Most musicians believe just singing is not enough. (I think such attitude is a bunch of baloney) Have you ever been pressured in other bands to play an instrument?

KILEY: There was a time when I might have felt that way, but I respect singers way too much to believe they need to do anything other than what they do best. My voice is my first instrument (I started singing in my church choir when I was about 5 or so) and I’ve worked long and hard to get to where I am. I’ve had great training and continue to study my instrument with daily practice and exercises.

NOW: So are you mostly doing harmonies to Earp’s melodies or do you sing all by your lonesome also? If so, what is your favorite solo song and why?

KILEY: We do a little bit of everything. Plenty of harmonies, duets, solos. One of my favorite songs to sing is called When I’m Old. It’s a beautiful country soul song that Earp wrote. It’ll be included on our first full-length album that is in the works and should be released this spring/summer. We’ve been working hard on this album and can’t wait to share it!

NOW: One of my favorite songs featuring you, Kasey Foster and Tara Smith is The Path of Righteousness https://wildearp.bandcamp.com/track/the-path-of-righteousness-feat-babe-alon-5 It could easily have been included with the best songs in O Brother, Where Art Thou? What is the story behind that hilarious and engaging tune?

KILEY: That’s a good one! It’s basically about how Earp is always gettin’ himself into trouble at night and then repenting in the morning. Me and the ladies are there to give him a little reality check; telling him that it’s going to be a lot of work and he’s all talk. That group of ladies is called Babe-alon 5. The three of us, along with our pianist, Pianu Reeves, do covers of old songs by bands like The Andrews Sisters, The Chordettes and Les Paul and Mary Ford. My character, Sassy Molassy, was born out of my Babe-alon 5 character, but has since morphed and they’ve become two very different women.

NOW: Sometimes members of bands do more than just perform. Do you have a ‘job’ off stage that you do for the band? (Website updates, contributing to writing music, taking photos, marketing, roadie functions, planning the routes, checking the tire pressure on the bus, etc.)

KILEY: Offstage I sometimes help with booking and tour managing, but really Earp shoulders most of that load. He’s working his butt off to keep us moving forward, and I think he’s doing a mighty fine job. We each have a unique place in the band. I couldn’t imagine performing without all 100 of us. Just kidding, there’s 8. It just feels like a hundred when we’re all onstage. 😉

NOW: That is a lot of members. I imagine that most stages are designed for smaller groups. I bet the touring vehicle is tight also. Do y’all ever fantasize about touring in a large bus with a bathroom?

KILEY: It is rare that we find a stage that feels roomy enough to house us all, but we make it work. So far we’ve only ever traveled with 7 of us, which doesn’t feel too cramped, but might be on the verge. A bus with a bathroom would save so much time! Rest stops really add up. Ya know what, now I’m picturing us in a big tour bus with my face on it. What do you think?

NOW: Sometimes dreaming about something is the first step to realizing our ambitions. What big goals are on the horizon for the group?

KILEY: We’re shooting for the stars. We’ve got ideas for future albums and more international touring!

NOW: That all sounds super! Thanks to Kiley for taking the time to chat with me. I welcome everyone to experience a very special Live at the Five Spot featuring Wild Earp and the Free For Alls on Friday, March 30, 5:30-7:30.

20 Minutes with Brandon Thornton

In 20 Minutes With on August 25, 2016 at 11:06 pm

book 2Brandon Thornton is September’s featured poet for Whisper & Shout: Open Mic for Poetry, Contemporary Art Center’s very popular monthly poetry event. He was the original host and feature poet curator of the event, serving in that role from February 2011-2014. Peoria is also on his latest tour in which he is sharing his spoken word poetry and plugging his newest project, Male-Nourished: Food for Thought from a Man’s Perspective, a collection of eclectic writings. Check out one of his many YouTube videos https://youtu.be/BZoJ206MGmo. Executive Director William Butler interviewed Brandon via email for this article.

20: You have produced four poetry cds and a dvd. Please share your complete discography.

BT: 2008 – Realize and Relax CD

2009 – SouLive CD

2010 – SouLive DVD

2011- Spoken Acid CD

2012- Life After Poetry CD

2016 – Male-Nourished Book

20: That is an impressive output. What was the impetus to begin writing poetry?

BT: I had written poetry when I was younger but didn’t take much interest in it. I began watching Def Poetry on HBO in 2007 and this started my love for poetry. The intensity and passion the poets spoke with gave me a spark I had not felt before in any other genre.  I started writing shortly after watching.

20: Describe your first experience performing.

BT: I had never been to a live poetry event and researched ones that were in my area in St. Louis. I built up the courage after a week to go and perform. I had memorized my poem but I became so nervous I went to the car and wrote it down just in case I forgot. They called my name to go on stage. I got through the poem just fine but I remember my hand and the paper was shaking the entire time.

20: How did you come to travel and tour?

BT: I met other poets from Kansas City and Chicago and they invited me to come to their city and perform. But it wasn’t till 2009 that I went full-time.

20: You have performed in 30 States and in over 100 colleges and universities. Can you share some of the schools/locations/events at which you have performed?

BT: Open for R&B Carl Thomas, Jaheim, University of Illinois, Illinois State University, Bradley University, Eastern Illinois University, University of Nebraska, Kansas State University, University of Minnesota, University of Iowa, Iowa State University, University of Northern Iowa.

20: Why do suppose that you sought a degree in math when the path of writing and English would seem more likely? How does mathematics play a role in your poetry?

BT: Most people have the same reaction when I tell them I teach math. A common reaction is, “Better you then me; that was my worst subject in school.” So there is definitely a high demand for math people.

I always enjoyed the challenge of mathematics, problem solving. I do have a love for reading and writing but that didn’t come until after undergrad. Plus, teaching math is a means to support my projects , traveling and sharing my poetry.

Math and poetry have similarities. They both are somewhat formulaic and critical thinking is involved.  Higher level math involves creativity and piecing together complicated ideas to come up with a solution and I feel I do the same in creating my spoken word pieces.

20: When did you first teach math and where was that?

BT: I began teaching at St. Louis Community College in 2006. I liked it so I continued teaching off and on various places. At some point, I decided to get serious about a career. In 2016, I graduated with an M.S. in Applied Mathematics from the University of Dayton while teaching part-time at Sinclair Community College and Clark State Community College.

20: What school do you teach at now? Do you teach mathematics only? What is your exact title?

BT: I am now an Assistant Professor of Mathematics at Austin Community College in Austin, Texas, where I teach Mathematics and Statistics courses.

20: Thanks for your time. I look forward to checking out your book and seeing you perform at the Contemporary Art Center’s event, Whisper & Shout: Open Mic for Poetry at 305 SW Water Street, Peoria, Illinois 61602 on September 1, 8-10:00pm.

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